Another central theme in Leonor Fini’s work is her fascination with ritualistic elements and metamorphic phenomena, which give rise to hybrid creatures. The exhibition presents Asphodèle (1963), a metaphorical representation of the Greek goddess Persephone; Stryges Amaouri (1947), in which Fini portrays herself as a witch, watching over a sleeping youth alongside a hybrid creature; and La Cérémonie (1960), a magical ritual evoking spirits.